Fashion

A unique polaroid print by Andy Warhol

Upon graduating from Carnegie Tech (now Carnegie Mellon) with a degree in Pictorial Design, Andy Warhol moved to New York in 1949 to become a commercial illustrator. He was quickly hired on by the likes of Glamour, Vogue, and Harper’s Bazaar magazines. According to Simon Doonan’s foreword in Andy Warhol: Fashion: “From his whimsical line drawings of cats to sleek renderings of ladies’ shoes, Warhol’s work became a hit in the fashion publishing world. Warhol sketched hundreds of drawings of shoes, handbags, jewelry, and gloves.”
[1]

Warhol’s interest in fashion, however, was not limited to commercial illustrations and advertisements. Over the decades, Warhol would befriend, collaborate with, and create portraits of designers including Halston, Yves Saint Laurent, and Diane von Furstenberg. Models, especially in the 1960s, were a new kind of celebrity, and Warhol capitalized on this notoriety. He is recognized as one of the first artists to print his work onto clothing and sell it exclusively to high profile clientele. At one time, Warhol himself could be booked as a model through the Zoli and Ford Models agencies. As to the importance of fashion during his time, Warhol captured it best: “Fashion wasn’t what you wore someplace anymore; it was the whole reason for going.”

 

Circa 1981
Medium: Unique Polaroid print
Size: 4.25 x 3.375 in (10.8 x 8.6 cm)
Framed size: 11 x 8.875 in (27.9 x 22.5 cm)

Authenticated by the Authentication Board of The Andy Warhol Foundation for the Visual Arts (stamp on verso), Foundation archive number on verso in pencil, initialed by the person who entered the works into The Foundation archive.

Provenance: 
Estate of Andy Warhol (stamped)
The Andy Warhol Foundation for the Visual Arts (stamped)
Long-Sharp Gallery

Andy Warhol and Polaroids

Beginning in the 1960s, Warhol used photography (his or someone else’s) as the foundation for almost all his visual art projects. He typically used a Minox 35 compact to document daily life and a Polaroid camera for his artistic endeavors. He reportedly had at least two Polaroid cameras – a Big Shot and a SX-70 – both of which appealed to Warhol for their immediacy and hands-off production. 

Archives of his Polaroids include subject matter that would later become some of his most iconic. Photos of soup cans, shoes, celebrities, and more were taken as a starting point for his paintings and screenprints. One need only think about a quintessential Warhol painting or print to appreciate that his genius was rooted in photography.


 

[1] Simon Doonan, Andy Warhol: Fashion (San Francisco: Chronicle Books, 2004), 7.